A white tee that has been operated on. Crimson fabric patches distributed across the body with no symmetry — some raw-edged, some framed with exposed stitching. A gingham pocket transplanted from another garment sits on the chest like a foreign body. Beneath it, a burgundy ribbed knit with deliberately destroyed cuffs bleeds through at every edge. The layering reads like a dressing placed over something that hasn't fully healed.

Total destruction with total intention. A black oversized hoodie where the shoulder seams have been completely opened and frayed to create an exoskeleton wingspan. Two large circular voids cut from the chest. Embossed text panels — FEAR SELF, GOD, SENTIA — applied like armour plates. Language as protection, language as warning. Arms extended wide, the piece holds its ground.

Cargo jeans reassembled from more than one life. Light mid-wash denim expanded at the hem with large yellow fabric inserts that pool at the ground. Cargo pockets partially replaced with yellow material. Woven patch repairs across the knees like a medical grid. The black elastic waistband worn beneath is visible above the denim — deliberate layering. These jeans document their own repair history.

The first. Dark indigo wide-leg denim with teal fabric grafted across both legs in irregular bands, fastened with grommets and looped straps. The hardware reads industrial — like the denim has been fitted with a support structure from outside itself. Worn with RK-Raw Peasants — a cream bleached tee with yellow tag interventions that sits light against the deep indigo and teal below.

Emergency red — the whole garment is a statement of exposure. Bleach has moved across the body in unpredictable arcs, creating pale ghost marks that read chemical rather than decorative. A blue denim pocket trimmed in yellow has been transplanted onto the chest — a foreign material inserted into a wound site. Worn with a white fabric wrap at the head, the look references medical, aftermath, survivor.

An olive cropped hoodie where the entire chest has been cut open in a radial pattern — slashes emanating outward from a central point like a starburst or impact site. The yellow interior lining bleeds through every cut, making the garment glow from within. Sleeves removed entirely. Hem raw, bordered in yellow. The piece looks like something struck by force that held its shape anyway.

The most direct piece in the collection. A red tank hit with bleach in scattered arcs — yellow corrosion across a red field, like something that reacted. Safety pins punctuate the neckline and chest, functional closures used as visual language. No excess. The garment says something happened here without explaining what.

A black tank reduced to its most essential and then interrupted. Bleach applied in sweeping orbital arcs — the aminewoods wave mark rendered in corrosion rather than ink. Shoulder seams cut open and re-knotted into tied structural details. Cropped length exposes the waistband beneath. Quiet, corrosive, worn. The bleach is the only text this piece needs.

A black sleeveless vest structured with intent. Mixed safety pins — silver and gold — run vertically across the chest in deliberate sequence. Grommet studs and black straps add a tactical, almost protective quality. The silhouette is rigid above, then releases into soft pleated wide-leg pants below. Worn with white goggle-style glasses, the look sits between protective gear and ceremonial dress.

A red open-chest shirt heavily bleached into pale arcs and eruption marks — the garment looks like it has been through something and opened itself in response. Yellow fabric patches interrupt both the shirt and the Field Notes pants below, creating a visual thread between the two pieces. The look is loud in colour and quiet in construction — everything belongs, nothing is accidental.

A dark, heavily distressed ribbed knit that has been pulled apart across its entire surface. Worn over a red hoodie whose warmth bleeds through every hole and gap. A blue chest patch sits as a transplanted foreign element — the same blue as the scarf above, creating a vertical colour thread through the look. The floral wide pants beneath introduce unexpected pattern — controlled disorder meeting structural collapse.